HERBERT LIST
“Inside the Orc, in the Sacred Forest”

Technique:
Silver Gelatin Print

Edition:
Titled in English on the reverse, numbered 11/25, and stamped with the Herbert List Estate seal.

Edition produced and signed by Peer-Olaf Richter, Director of the Herbert List Estate since 2003.

Dimensions:
28.50 x 33.50 cm (photograph)
30.00 x 40.00 cm (sheet)

Bibliography:
<< Herbert List: Italien >>
Schirmer / Mosel, Munich 1995 (Cover and Illustration 16).

Pohlmann, Ulrich; Harder, Matthias & Scheler, Max
<< Herbert List: L’ull màgic >>
Fundación La Caixa / IVAN; Barcelona / Valencia, 2000 (page 178).

Cimorelli, Dario & Olivari, Alessandra (Editors)
<< Herbert List >>
Silvana Editoriale; Milan, 2014 (pages 146 and 147).

3.500,00 

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Herbert List was a legendary figure in 20th-century photography. He was a master of “Fotografia Metafisica,” a style that blends reality with a surreal, dreamlike atmosphere. In this iconic work, List documents the Garden of Monsters in Bomarzo, Italy. The photograph features the famous “Orcus Mouth,” a massive stone face carved into the rock during the 16th century. List captures a shepherd standing inside the gaping mouth, surrounded by a flock of sheep. Consequently, this juxtaposition creates a powerful dialogue between the ancient, fantastical past and the humble reality of rural life. The image is not just a document of a place. Instead, it is a curated scene that explores the concept of the “monstrous” within the everyday.

The technique used in this piece is a testament to List’s mastery of composition and natural light. Specifically, he utilizes silver gelatin printing to achieve a broad range of textures. The rough, weathered stone of the sculpture contrasts sharply with the soft wool of the sheep. Furthermore, the lighting is handled with professional precision. The deep shadows inside the mouth provide a dramatic frame for the small figure standing within. This use of scale is a classic surrealist device. It makes the sculpture appear even more imposing and otherworldly. Because List spent years photographing classical ruins, his ability to breathe life into stone is unmatched. This photograph serves as a definitive example of his ability to find magic in the historical landscape.