JIM FRENCH
“Dream boy”

Technique:
Pencil on paper

Edition:
ca. 1967.
Signed “LÜGER”.
Reverse: Leslie Lohman Museum of Art inventory number in pencil.

Dimensions:
40,00 x 27,00 cm ( drawing )
56.50 x 38.50 cm ( framed )

Provenance:
Daniel Coony Fine Art Gallery ( New York )
Leslie Lohman Museum (New York, USA), Inventory No. 1995.1587.0002
Estate of David Clasen

4.500,00 

Dream Boy (1967)

A Celebration of the Idealized Male Body by Jim French

Titled Dream Boy, this powerful graphite drawing by Jim French, created around 1967, captures a stylized vision of the male nude with classical precision and erotic intensity. The work, executed in pencil on paper, measures 40 × 27 cm (and 56.5 × 38.5 cm framed), and bears the signature “LÜGER”, one of French’s early pseudonyms.

The composition features a front-facing male figure, nude and muscular, standing with his arms crossed behind his head. This posture accentuates the broad chest, sculpted torso, and solid legs, creating a vertical symmetry that evokes both strength and serenity. A softly shaded circular aura frames the figure’s head and shoulders, elevating the subject beyond realism into a mythic or iconic space—suggesting the body not only as a subject of desire, but also as a symbol of beauty and transcendence.

Executed in flawless pencil technique, Dream Boy demonstrates French’s control over tone, form, and texture. The body is modeled with academic rigor: deep shadows, sharp contour lines, and subtle transitions of light shape the anatomy with near-photographic precision. The absence of background detail, clothing, or context allows the viewer to focus entirely on the idealized male figure—calm, composed, and erotically charged.

Cultural Context and Provenance

This work reflects the rise of homoerotic art in post-war America, especially during the 1960s, when male physique drawing evolved from coded athletic studies to openly expressive images of gay identity and desire. Jim French was a key player in this shift. Early in his career, he signed many works under the name LÜGER, allowing him to distribute his art discreetly while avoiding legal and social consequences.

The drawing comes from a period when such images were mostly circulated underground—in private collections, boutique publishers, and later through physique magazines. French’s blend of academic technique with erotic contenthelped reframe the male nude not only as an object of fantasy but as a form of artistic rebellion and affirmation.

This particular piece was once held in the collection of the Leslie Lohman Museum of Art in New York (Inventory No. 1995.1587.0002), one of the world’s leading institutions for LGBTQ+ art. It was later part of the estate of David Clasen, a collector dedicated to preserving queer visual heritage. Today, Dream Boy is a testament to a time when sensuality, resistance, and classical form converged in the work of one of the genre’s most iconic artists.

Jim French

Jim French was one of the most influential American artists of 20th-century homoerotic imagery. Born in 1932, French began his artistic career as an illustrator and commercial artist before turning to more personal explorations of the male form. In the 1960s, using pseudonyms such as LÜGER and Rip Colt, he began publishing drawings and photographs that celebrated idealized masculinity with unprecedented technical skill and sensual openness.

French co-founded COLT Studio in the 1970s, which became synonymous with high-quality gay erotic imagery. His early pencil drawings—like Dream Boy—are celebrated for their blend of Neoclassical aesthetics, anatomical precision, and a distinctly modern erotic sensibility. His work was deeply influential in shaping visual representations of gay male desire, masculinity, and physical perfection during a time when such imagery was heavily censored.

Throughout his career, French’s art walked a careful line between art and erotica. He approached the male nude with the discipline of an academic draughtsman, yet infused his figures with confidence, vulnerability, and individuality. Today, his legacy is honored in major LGBTQ+ archives, and his works are included in the collections of institutions such as the Leslie Lohman Museum, the Kinsey Institute, and numerous private holdings.

Dream Boy exemplifies French’s early style: refined, reverent, and erotically unapologetic. It remains a landmark in the visual history of queer identity, masculine beauty, and artistic freedom.